This is the 2nd Silesian Landwehr Cavalry Regiment as per Age of Eagles 2. Eight figures mounted on four bases. Pardon the static grass, it is freshly applied and hasn't been blown yet.
These were a rough go for me. It seemed there was a constant flow of distractions. I think from beginning to end it took almost 3 weeks to complete. I soldiered on, no matter the distraction, and was determined to bring up the level of painting.
I see now that I forgot some of the details, notably the tacks on the pennants. I'll have to get back to that.
The camera really isn't kind. First, it doesn't show all of the blends and highlights that I thought would be captured. You can't tell the white his a bright highlight over an off-white base, for instance. I did some light and color correction of these images after I cropped them so it is probably my fault.
The camera also shows all the mistakes. I don't think I appreciated the courage required to post one's work subject to zoomable scrutiny until I put my own out there. I feel pretty good about the horse technique. I used this as an opportunity to develop the color palette and recipes. I have too many of the sorrel but it was an exercise for me. There are three different shades of chestnut and I'm happy with all of them. This is also the first white horse I didn't want to strip down once completed (although in the images it seems really white. Again, my fault.)
When it's said and done, I'm happy with the results. I'm pretty critical of my own work and I see many things I could do to improve them but eventually you have to call them done and move on to the next.
I'm calling these done and moving on to the last 8 stands of Reserve Infantry to finish out the RIR formations of the corps.
And here we are with the view I'll have of them on the table. Maybe I should concentrate more on the backs than the fronts seeing as how I don't get to see the fronts often.
Next up is the progress on the RIR. It's the first time I've tried to paint this many figures (32) at one time. I'm already facing having to paint mostly shades of gray. That quickly numbs the mind. Hopefully the volume doesn't snap my tenuous hold on reality.



















